Transcript
DAVID WISNIA: [Singing]
DAVID WISNIA: I donโt remember the words.
AVI WISNIA: Alright, turn around, sir.
DAVID WISNIA: I donโt need a stylist.
AVI WISNIA: Why not? Aim for the stars. Good. Ready?
DAVID WISNIA: Now, you know how it works? You, youโre doing it the wrong way.
AVI WISNIA: Yeah? Which way?
DAVID WISNIA: Do the whole thing down.
AVI WISNIA: Uh-huh.
DAVID WISNIA: Make a little part over here and put it at the side. And the rest of it goes to the right. Down. Down.
AVI WISNIA: Let me see. Itโs very regal. You wanna take a selfie right here?
DAVID WISNIA: Iโm just good looking. Look at this.
AVI WISNIA: [Laughs]
CREW MEMBER: David 1, take 1.
DAVID WISNIA: My name is David. S. Wisnia. Iโm a lover of life. [Laughs]
AVI WISNIA: Iโm Avi Wisnia and I am Davidโs grandson.
DAVID WISNIA: [Laughs] Avi, da bav.
DAVID WISNIA: How you doing, baby?
AVI WISNIA: We call my grandfather Saba, Sabala, Sabala Babala, Sabination and Sabinator.
DAVID WISNIA: How about that?
AVI WISNIA: So Saba, weโre gonna do a little test. This is the pitch pipe that Iโm gonna bring.
DAVID WISNIA: Okay. You gonna give me the first note?
AVI WISNIA: Iโm gonna press the โAโ.
[Pitch pipe sounds]
[Humming]
AVI WISNIA: Beautiful.
DAVID WISNIA: Music was my life right from the beginning. I always sang. When I got into the camp, thatโs what saved my life.
DAVID WISNIA (WALKING AROUND AUSCHWITZ WITH AVI): Oh my God.
AVI WISNIA: When he went back to Poland a few years ago for the 70th anniversary of the liberation of Auschwitz, my grandfather took me with him.
DAVID WISNIA: My first job here, when I came, was to take all the bodies from the people who committed suicide and put them on a little wagon. If I had to do it for more than a couple of weeks, I would have never survived.
DAVID WISNIA: [Singing]
DAVID WISNIA: Music is life. Youโre supposed to sing, no matter what. The prisoners knew that Wisnia sang.
DAVID WISNIA (TO AVI, ENTERING AN AUSCHWITZ BUNKER): Come in here. This is the place where they got me down to sing. After coming from work in the afternoon, an S.S. man leads us in. He said, โIs there anyone here who sings?โ Everybody, โHey, Wisnia, get down. Sing.โ
DAVID WISNIA: [Singing]
DAVID WISNIA: He says, โOkay, tomorrow youโre not going to that job.โ From that moment on, my life changed.
AVI WISNIA: Growing up, I always knew, like, little bits and pieces of his story. But I had a sense that there was more to the story than that.
DAVID WISNIA (AT THE AUSCHWITZ BUNKER): Iโm trying to remember, was it this one or was it this one? I think somebody scratched it out, you know that.
AVI WISNIA: Thereโs something here.
DAVID WISNIA: Where?
AVI WISNIA: There it is.
DAVID WISNIA: Where?
AVI WISNIA: That is definitely your name.
DAVID WISNIA: Where?
AVI WISNIA: That is your name. I see it very clearly. Here, look. Look, right up there.
DAVID WISNIA: Oh my God, yes. Here, itโs David. Look at this. Oh my God. I didnโt make it up.
AVI WISNIA: The little that my grandfather would talk about, it was not so clear. I think in order to survive, in order to keep going, he had to forget everything in the past.
DAVID WISNIA: Oh my God. Come on. Get out of that hellhole. [Laughter]
AVI WISNIA: I want to fill in the missing pieces as much as we can. We always knew he survived by singing. That he saved himself. But there must have been something else. He could not have done it alone.
TEXT ON SCREEN:
Interview from the U.S. Holocaust Memorial Museum archives
โZIPPIโ HELEN SPITZER (AUSCHWITZ-BIRKENAU PRISONER, (INTERVIEW FROM THE U.S. HOLOCAUST MEMORIAL MUSEUM ARCHIVES): I have never disclosed to anybody because Iโve never been asked. But Iโve played a very important part.
TITLE CARD: HOW SABA KEPT SINGING
TEXT ON SCREEN:
Levittown, Pennsylvania
AVI WISNIA: Alright, Sabs. Shall we, uh, do some music?
DAVID WISNIA: Want to do Avinu?
AVI WISNIA: Yup.
DAVID WISNIA: [Singing]
AVI WISNIA: You want to do that, or you want to cut it?
DAVID WISNIA: [Singing]
AVI WISNIA: Weโre doing it.
[Piano playing]
[Family singing prayer]
ERIC WISNIA: LโChaim!
AVI WISNA: LโChaim!
DAVID WISNIA: LโChaim! Too bad we donโt have the gefilte fish.
AVI WISNIA: I think gefilte fish is gross.
[Laughter]
DAVID WISNIA: We didnโt have that in Auschwitz.
AVI WISNIA: Weโre glad you donโt have to live like that anymore.
RABBI ERIC WISNIA (DAVIDโS SON): My fatherโs personality is effervescent. He sparkles, which I find amazing considering his life story.
RACHEL: Youโre going to Poland?
AVI WISNIA: Weโve been invited to go to Poland. Another trip back.
DAVID WISNIA: Weโre going to have our reunion of the liberation of Auschwitz-Birkenau again in January. And Iโm going to sing.
AVI WISNIA: Saba just looked at me and he says, โYou want to go to Poland?โ And I was, like, yeah, I mean, Iโm tired. But, yeah. Like, when? Heโs, like, โOh, like, next week.โ
AVI WISNIA: Okay. I know you, I know your story in bits and pieces. Like, will you, will you tell me what happened? Like, from beginning to end?
DAVID WISNIA: Itโs something that is extremely difficult to believe.
JUDY WISNIA (DAVIDโS DAUGHTER-IN-LAW): The last couple months have been really difficult for David. He was sleeping all the time. He wasnโt eating.
AVI WISNIA: Hereโs what Iโm thinking.
DAVID WISNIA: The El Malei is in A, right? Start withโฆ
AVI WISNIA: Mm-hmm.
DAVID WISNIA: You wanna do it? Give it.
AVI WISNIA: Yeah, you wanna do it right now?
DAVID WISNIA: Yeah. Just give meโฆ
AVI WISNIA: Letโs try.
DAVID WISNIA: Let me see if itโs highโฆ
AVI WISNIA: Okay.
DAVID WISNIA: [Singing]
DAVID WISNIA: Thatโs good. Thatโs good.
AVI WISNIA: Keep going. Keep going.
[Piano playing]
DAVID WISNIA: [Singing]
DAVID WISNIA: Why do you want me to go on? Thereโs no point.
AVI WISNIA: Have you sung since youโve been out of the hospital?
DAVID WISNIA: No.
JUDY WISNA: We found him on the floor in his bedroom. He just didnโt want to go to the hospital.
SARA WISNIA (DAVIDโS DRANDDAUGHTER): I was like, do you want to stay here, or do you want to go to Poland? And I was like, weโre going to cancel the trip. Like, we canโt go like this. He was so weak like he was not, he was barely talking, he was just whispering. When I said that he was like, โPoland!โ [Laughs] He didnโt come home until just before the trip.
JUDY WISNIA: Everybody in the hospital knew what the goal was. Heโs been back to Poland before. But David wanted to come back one more time. And we were determined to make that happen. I think he wants to jolt a piece of his memory.
DAVID WISNIA: Iโm looking for people whom I knew in the camp.
DAVID WISNIA (SITTING ON THE PLANE): What in the world is this?
AVI WISNIA: Thatโs the door prize.
DAVID WISNIA: Obviously. Oh my God, look at this. Look at these goodies.
AVI WISNIA: Look, I even got a first class banana.
DAVID WISNIA: Itโs even better than going to Poland.
DAVID WISNIA: Yup. This is a pleasure. This isnโt like Auschwitz at all.
AVI WISNIA: [Laughs] I hope not.
FLIGHT ATTENDANT: Youโd like to drink something? Water or juice?
DAVID WISNIA: Champagne
AVI WISNIA: Champagne?
DAVID WISNIA: Really?
AVI WISNIA: Absolutely.
FLIGHT ATTENDANT: Help yourself.
AVI WISNIA: Some champagne.
AVI WISNIA: LโChaim!
DAVID WISNIA: Nostrovia. Most of the people who came in to Auschwitz did not last more than about a month. How come I stayed in Auschwitz for two and a half years and never moved? How the hell do you explain it? I wish I knew.
AVI WISNIA (GETTING INTO A CAR): Oh, youโre scooting over. You want me to sit on that side?
DAVID WISNIA: Yeah, sure.
AVI WISNIA: Iโm gonna get in with you.
DAVID WISNIA: Come on.
AVI WISNIA: Alright.
DAVID WISNIA: Okay, kid. This was not here, of course.
AVI WISNIA: Could you imagine living in one of these houses? Across the street from Birkenau.
DAVID WISNIA: From Birkenau. Unbelievable. And knowing what was going on here.
AVI WISNIA: Yeah.
AVI WISNIA: Do you think they knew what was happening?
DAVID WISNIA: Oh God, yes.
AVI WISNIA: Really?
DAVID WISNIA: Everybody knew.
DAVID WISNIA (ENTERING AUSCHWITZ-BIRKENAU): Weโre going to have our reunion of the liberation of Auschwitz-Birkenau and Iโm going to sing.
AVI WISNIA: The road is horrible. How about, itโs smoother on the edge here.
JUDY WISNIA: Can you imagine walking on this with no shoes?
DAVID WISNIA: There was an orchestra on the side of the road, playing while we marched in.
โZIPPIโ HELEN SPITZER (INTERVIEW FROM THE U.S. HOLOCAUST MEMORIAL MUSEUM ARCHIVES): Every morning people are marching out to work. The orchestra plays.
TEXT ON SCREEN:
ZIPPI, AGE 24
โZIPPIโ HELEN SPITZER (INTERVIEW FROM THE U.S. HOLOCAUST MEMORIAL MUSEUM ARCHIVES): I play the mandolin.
DAVID WISNIA: To me, music was it. It was natural. Seven-and-a-half, eight years old, I sang in a choir of 80 voices. I was a soloist. I was like a star.
โZIPPIโ HELEN SPITZER (INTERVIEW FROM THE U.S. HOLOCAUST MEMORIAL MUSEUM ARCHIVES): My mother died when I was eight. And my grandmother took me under her wings. I was told by my grandmother, I could do anything I want.
In those days, in my country the first Czechoslovakian Republic, everybody learned some kind of music. I wanted to learn the mandolin. I was a quick learner. A large orchestra were playing on the radio and included me as the only child player in the grown-up orchestra. I knew that Iโm good. Otherwise, they wouldnโt have done it. But then was the beginning of the new era.
DAVID WISNIA: We got off the train. Everything was hurry, hurry, fast. People were being killed immediately. I heard the guy say, โEverybody over 18, into the camp. You are selected to go to work.โ So, I made sure that I said that I was 18. To survive, it was a question of a day. Another day. Another day. They killed, they annihilated, what, millions of people.
โZIPPIโ HELEN SPITZER (INTERVIEW FROM THE U.S. HOLOCAUST MEMORIAL MUSEUM ARCHIVES): Sometimes even healthy ones, still alive and breathing and donโt know that theyโre going to be dead tomorrow.
DAVID WISNIA: And the whole world stood and watched. I smelled and I saw the smoke from the chimneys and knew what it was. It was horrible.
โZIPPIโ HELEN SPITZER (INTERVIEW FROM THE U.S. HOLOCAUST MEMORIAL MUSEUM ARCHIVES): I was badly, badly hit. I was so damaged. I had been fighting for my life. They performed gynecological experiments on women. I really donโt know how I overcame all those things. I myself always looked for good people.
DAVID WISNIA: I remember first meeting Zippi. She was a very pretty girl. And I liked her. Everybody knew Zippi. She was one of the first prisoners taken into Auschwitz. And sheโs the one who designed the colors of the identification and kept their records.
โZIPPIโ HELEN SPITZER (INTERVIEW FROM THE U.S. HOLOCAUST MEMORIAL MUSEUM ARCHIVES): You know, I was the artist of the camp. The only woman in my profession. A graphic artist. I knew how to mix the paint from raw materials. Oil paint, which does not dissolve in water. And produce red stripes on the clothing. People who are working outdoors would have been able to mingle among the civilians. If they escape, nobody would have known who they are. Those clothes had to be marked to be recognized as an inmate. And thatโs how I got my job. Thatโs how everything changed. Creativity was therapeutic. So that was my luck. That I could disengage myself from, from hell.
DAVID WISNIA: Make sure you survive another day.
โZIPPIโ HELEN SPITZER (INTERVIEW FROM THE U.S. HOLOCAUST MEMORIAL MUSEUM ARCHIVES): We tried to figure out how to make the appearance that we follow the instructions, but our main purpose was to serve our people. I sometimes ask some girls from the clothing barrack to get me some panties. Not very sexy ones, but they were underpants. So I took the whole dozen on my body, went to a barrack, undressed myself, supplied that among the people, and returned without.
I was very creative. Iโm an artist. Iโm a musician. It helps me to survive. Itโs very hard to explain and hard to understand psychologically how hard it was on my system. Couldnโt do much.
DAVID WISNIA (IN A VAN): Make a right here.
AVI WISNIA: Are you giving our driver directions to your hometown?
DAVID WISNIA: Yes.
AVI WISNIA: You remember, 70 years later, how to drive to yourโฆ
DAVID WISNIA: Thatโs right. Make a left here.
AVI WISNIA: What was the number of your house?
DAVID WISNIA: 43.
ERIC WISNIA: This is it.
DAVID WISNIA: One day, my father asked me to go in his place to the airport. โIโm not feeling too well. Why donโt you go? Youโll help clean.โ Thatโs when everything changed. My family was shot. I found a body of corpses, and recognized my motherโs coat. And turned her over. And then, that was the end of my life, so. [Crying] I didnโt think it would still do it to me.
[Family praying]
DAVID WISNIA: My father, Ellie, 41. My mother, Machla, 37. My little brother, Dov Berela, who was 13-and-a-half. And let us all sayโฆ
FAMILY: Amen.
DAVID WISNIA: Thank you.
AVI WISNIA: Being in Poland, it kind of brought home that his family was my family.
TEXT ON SCREEN:
Concert honoring the anniversary of the liberation of Auschwitz
DAVID WISNIA: I donโt feel so good.
AVI WISNIA: Okay.
JUDY WISNIA: Hereโs one. Hereโs two. Hereโs three.
SARA WISNIA: Saba, once you start singing, youโll feel a lot warmer.
AVI WISNIA: Thatโs true.
DAVID WISNIA: Ay-ay-ay-ay-ay.
AVI WISNIA: Ay-ay-ay-ay-ay. Do you have any questions for me? Are you feeling okay? Is it too much? Too many things? All we need to do is we need to go to the piano, and just sing.
AVI WISNA: My Saba, David Wisnia.
DAVID WISNIA: I thank you for giving me the opportunity to show off what I learned here, in Warsaw. Thank you.
DAVID WISNIA: [Singing] Mamale. Mamale. Mother, dear, Iโll always call you Mamale. Tired eyes, wrinkled hands, and a loving heart that always understands. I remember how you used to comfort me, a little boy of three, in bygone years. I remember how you took me on your knee. With a kiss, you would dry my tears. Mamale. Mamale. May God bless you, dear Ma, Mama, Mamale.
DAVID WISNIA: Thank you.
[Clapping]
AVI WISNIA: Saba. That was amazing. That was beautiful.
DAVID WISNIA: Thank you. Dziฤkujฤ bardzo.
DAVID WISNIA: Avi, I have to lie down.
AVI WISNIA: Do you wanna lean back?
DAVID WISNIA: I have to lie down here.
DOUG: Is that better? There we go.
AVI WISNIA: You did a lot of work today.
AVI WISNIA: I just keep picturing myself in his position. Not just to go through these horrible, torturous experiences. But to really do it alone.
โZIPPIโ HELEN SPITZER (INTERVIEW FROM THE U.S. HOLOCAUST MEMORIAL MUSEUM ARCHIVES): There you were really alone. I mean we were human, the same feelings, the same instinct.
DAVID WISNIA: I wanna go to take you to the โSauna.โ Okay, kid. I started to work in what was called the โSauna.โ The prisoners received their clothing. It was cold outside, but it was warm inside. Slowly, I became quite a privileged prisoner. Some of the S.S. did really take care of me, because they liked me singing. Thatโs where I worked, thatโs where I worked for, like, two years. I used to come in to work this way.
SARA WISNIA: Saba, was this your commute?
DAVID WISNIA: Yeah, I commuted from over there. All this area over there were wooden cell blocks. And thatโs where I met with my girlfriend.
DAVID WISNIA: [Humming]
DAVID WISNIA: One day, Zippi comes and we start exchanging glances.
DAVID WISNIA: [Humming]
โZIPPIโ HELEN SPITZER (INTERVIEW FROM THE U.S. HOLOCAUST MEMORIAL MUSEUM ARCHIVES): [Claps] Bravo. Music was pleasant. No matter what music.
DAVID WISNIA: Zippi was my girlfriend. She used to come and visit me every couple of weeks. I looked forward to it. That was unbelievable.
โZIPPIโ HELEN SPITZER (INTERVIEW FROM THE U.S. HOLOCAUST MEMORIAL MUSEUM ARCHIVES): I have worked during the night all the time. I wanted to have the day for myself, to visit.
DAVID WISNIA: I was flabbergasted that she didnโt even have any guards checking on her. Nobody questioned Zippi. She became my paramour. In the clothing, you put the package one on top of the other. Thatโs where we met.
โZIPPIโ HELEN SPITZER (INTERVIEW FROM THE U.S. HOLOCAUST MEMORIAL MUSEUM ARCHIVES): I could climb. I was used to go up the ladder, by doing murals.
DAVID WISNIA: She was able to organize prisoners who was making sure that we werenโt caught.
โZIPPIโ HELEN SPITZER (INTERVIEW FROM THE U.S. HOLOCAUST MEMORIAL MUSEUM ARCHIVES): [Laughs]
DAVID WISNIA: It was physical. She taught me everything. I knew nothing. I was a kid.
AVI WISNIA: When I learned about my grandfather having a girlfriend in Auschwitz, it was kind of like this new tidbit that we were all talking about. It was really shocking. But, in thinking about his experience in the camp, being alone, it was, kind of, heartwarming to know that he wasnโt totally on his own. Even in the hell of a concentration camp, you can still find some kind of human connection and something that gets you through. My grandfather said that she had a little more freedom than the other prisoners to move about the camp, which is how they were able to meet each other.
DAVID WISNIA: She was the only one who had free access from the womenโs camp to the menโs camp.
โZIPPIโ HELEN SPITZER (INTERVIEW FROM THE U.S. HOLOCAUST MEMORIAL MUSEUM ARCHIVES): You have hundreds of barracks. Every time an S.S. man was asked to go to a certain barrack, they have sent them to ask where the barrack is. I decided Iโm going to make a little model. So when an S.S. man was coming, I could show him immediately where it is. I left by myself. I had the permission to measure each barrack, to take all the measurements. I marked the model with my number. Itโs signed. Whenever somebody was visiting they brought the high officials into my office, and showed him the model. They always asked me, โWhat kind of a profession do you have?โ I said, โThe same like your fรผhrer. Same profession like your fรผhrer.โ Son of a bitches.
AVI WISNIA: She had a very important job in the camp. And I, I donโt know, I wonder, like, if she had something to do with saving his life.
SARA WISNA (ENTERING AUSCHWITZ-BIRKENAU): Going in, Saba.
DAVID WISNIA: Oy, ya, yoy. Uh. Thatโs alright.
SZYMON (AUSCHWITZ ARCHIVIST): Welcome in the Auschwitz archive.
DAVID WISNIA: Thank you, Szymon.
SZYMON: Welcome. Good afternoon. As you know, my name is Szymon and it is only one record, the only one record about the fate of David Wisnia from the year 1943. Twelve months. Only this page. Only one record. March the 19th.
DAVID WISNIA: โ43.
SZYMON: 1943.
ERIC WISNIA: Yeah, thatโs when he was punished, yeah.
SZYMON: Your number, 83526. Wisnia, David.
DAVID WISNIA: David.
SZYMON: Do you remember more?
DAVID WISNIA: I overslept a roll call.
โZIPPIโ HELEN SPITZER (INTERVIEW FROM THE U.S. HOLOCAUST MEMORIAL MUSEUM ARCHIVES): Everything was built around the roll call. The most important function in all concentration camps. S.S. were coming with dogs. It was a horrible situation.
DAVID WISNIA: We were lined up here every morning for roll call. And I woke myself up, because it got so quiet. And I started running. They thought Iโd escaped. Remember, there were 400 people standing there. The people, they were scared, they were afraid. They wouldnโt let me sneak in.
I was put on a gallows. Heavy, heavy rope on my neck. I thought that was the end. There was an S.S. man who supervised my singing who happened to have been there that day. He says, โYou muddy my shoes one bit and youโre dead.โ And he winked to me. And then they pressed something, and I fell through.
AVI WISNIA: The rope, and the noose, kind of fell to the ground with him. And all the Nazi guards were laughing. Like it was just a big joke. To them. I remember hearing that story as one thing my grandfather would at least open up about.
AVI WISNIA: Itโs amazing that you have that to have some kind of proof. That there was a record of it, um, is really, itโs astounding.
โZIPPIโ HELEN SPITZER (INTERVIEW FROM THE U.S. HOLOCAUST MEMORIAL MUSEUM ARCHIVES): They expected you to be cruel, but you could always behave like a human being.
DAVID WISNIA: Zippi, she came in to visit the โSauna.โ And we decided we were going to survive. Our plan was to meet at the end of the war in front of the Jewish community center in Warsaw and take it from there. The last time we saw each other, I didnโt know it was goodbye. In December of 1944, I went on one of those death marches.
โZIPPIโ HELEN SPITZER (INTERVIEW FROM THE U.S. HOLOCAUST MEMORIAL MUSEUM ARCHIVES): I went on the death march. I was prepared for any situation, yeah. I painted my red stripes on a water basis, so that it would come off in case I would like to remove it. And I did it before we went on the death march.
DAVID WISNIA: There was an old guard, an S.S. man, guiding us. We were being strafed by planes. They used to get us out of the train into the ditch alongside of the railroad tracks. I found a shovel and I hit one of the guards. And then I took off by myself. I heard the whistle, the train continued, and I was hiding. I walk only at night, hide in the day. It must have been about two or three days in the barns.
Picture this. Itโs about six, seven oโclock in the morning. I heard a roar. Thereโs a whole column of tanks, trucks. And I run all the way down to the main road, standing there with my hands up. The whole column stopped. I say, โYou Russian?โ He says, โNo, American.โ I figured Iโm in trouble. We heard about S.S. men disguising themselves as Americans. He brought somebody over from Pawtucket, Rhode Island. And the guyโs Polish was even worse than my English. I said, โAnybody, Yiddish?โ So he said, โOh, yeah. We got one.โ His Yiddish was even worse than the other guyโs Polish. So I figured if heโs trying to get me somebody who talks Yiddish, they must be alright.
I became a part of the H Company 506 Parachute Infantry. They put me in an American uniform, taught me how to use the Thompson machine gun. The war was on for another four months. The 101st Airborne became my home, my family, my parents, my children, my everything. They made me a civilian employed by the United States Army.
I went to Feldafing with food, with all kinds of things for the displaced persons. Many of the people who survived the camps when they were liberated by American troops, they had to put them somewhere. What was called the displaced persons camp. And I drove in a number of trucks to some of these DP camps.
When they found out I spoke German, I became indispensable in talking down some of the S.S. to throw away their arms.
Berchtesgaden was the headquarters of Hitler. And it was about 10 miles away from where we were stationed. Because I spoke German, they wanted me to interpret. I was there after he committed suicide. There were weapons galore. And I will never forget when the guy said to me, โGo ahead Little Davey, take anything you want.โ I picked up a gun.
SARA WISNIA: My grandfather, he would just say, you know, โWe were, um, we went to Hitlerโs bunker and there was a guy and stuff happened.โ
DIRECTOR: Can you tell me about what happened at Hitlerโs home that day? You found an S.S. member in the barn.
DAVID WISNIA: I had erased it totally from my mind.
[Gunshot sound]
SARA WISNIA: He, he killed the man.
DAVID WISNIA: I wanted nothing to do with Europe. In Warsaw, I donโt know anybody anymore. You have to remember my family was dead. I had no conception if Zippi was alive. And I didnโt want to have anything to do with anything that was European.
I had aunts in New York who left Europe about two months before the war broke out. My aunt Helen, I was like her baby. I used to be writing them letters. 750 Grand Concourse in the Bronx. 723 Gates Avenue, Brooklyn, New York.
ERIC WISNIA: When Captain Walker and Company H and the whole 506th were brought back for discharge, Captain Walker just said, โDo you got relatives? You have somewhere to go?โ
DAVID WISNIA: I sent GIs to my aunt Helen. I put down 750 Grand Concourse. When he came to see her, she said, โI donโt know anybody in Europe.โ I didnโt believe it. She doesnโt know who I am. I was heartbroken. I didnโt know what to do, I didnโt know where to go.
I wrote a letter to the Jewish radio station in New York. My aunt was cooking her chicken on Friday afternoon. And she hears, โDavid Wisnia is looking for his aunt on 750 Grand Concourse.โ
I sent GIs to a wrong address. I screwed up the address with the name.
ERIC WISNIA: Captain Walker just said, โHave a nice life, Davey.โ Thatโs how my father got into America. He was not naturalized until 1950. I was born in โ49, so Iโm his โanchor babyโ and proud.
DAVID WISNIA: Boy, did I become American. On the first night in New York, I went dancing in Manhattan. [Laughs]
I lived in the Bronx with my motherโs younger sister. I got myself a job. I knew that I was gonna make it. At a wedding of a relative, I remember asking her to dance. I liked her. Her name was Hope. We have four children, thank God. I became a cantor here. And I sang. We have grandchildren. And Iโm very, very proud of them.
JUDY WISNIA: He has his grandchildren who want to tell his story and carry on his legacy. But I think every time he comes back, it seems that heโs expecting to find something. Just something.
DAVID WISNIA: I decided today I was gonna be leisure, sleep, rest.
AVI WISNIA: There is a present for you.
DAVID WISNIA: The Noลผyk Synagogue here.
AVI WISNIA: Yeah.
DAVID WISNIA: I used to sing. I was a soloist.
DAVID WISNIA: [Singing]
DAVID WISNIA: Oh God. Gone. All gone. Oh my God.
DAVID WISNIA: [Singing]
DAVID WISNIA: Oh my God. You never forget that. That was my solo, you know, at the Nozyk.
AVI WISNIA: Iโve never heard you sing that before.
DAVID WISNIA: Oh yeah. I was seven-and-a-half years old. Iโll never forget. Itโs all gone. All gone.
AVI WISNIA: I feel like being back here, and hearing Saba talk about it and the things that he experienced as a kid. And knowing my familyโs history of what happened in Poland. I donโt know. Things feel different to me now. There has been this growing, uh, anti-semitism. You see parallels with whatโs happening today. You see how things start.
ERIC WISNIA: Yeah. But then, thatโs what we have to do. We who have, you know, supposedly, the, uh, on the side of morality. We have to be the ones to fight it.
AVI WISNIA: I feel more of a responsibility to, to call things out and to be vocal about it. To stand up.
ERIC WISNIA: Yeah.
AVI WISNIA: But, you know, I think about the community that he grew up in. They thought they were a strong community, too.
ERIC WISNIA: They did. Yeah.
AVI WISNIA: And thatโs, thatโs whatโs scary to me.
TEXT ON SCREEN:
Anniversary of the liberation of Auschwitz
AVI WISNIA: Are you looking for anyone in particular?
DAVID WISNIA:No. I donโt know. We shall see.
[Group singing]
TEXT ON SCREEN:
Auschwitz Survivors
AVI WISNIA: You alright?
DAVID WISNIA: These are not survivors from Auschwitz.
AVI WISNIA: Yes.
DAVID WISNIA: They are?
AVI WISNIA: Yes.
AVI WISNIA: Would you like to get out?
DAVID WISNIA: Youโre gonna freeze to death here.
DAVID WISNIA: Oh my God. A little bit of heat. Avi. Av.
AVI WISNIA: Yes. Iโm right here.
DAVID WISNIA: These are all people who were in camp? No.
AVI WISNIA: Most ofโฆ and their companions.
DAVID WISNIA: Oh. I donโt know anybody. I should expect that some people are not living anymore, but I donโt.
AVI WISNIA: I think it was probably always this, kind of, hopeful, like, he would be able to find something that just wasnโt there anymore.
AVI WISNIA: Sunโs already starting to go down.
DAVID WISNIA: I donโt recognize anything here.
AVI WISNIA: What about this? Can you see out to the right?
DAVID WISNIA: No, no, nothing.
AVI WISNIA: You donโt recognize it?
DAVID WISNIA: This was all full of barracks. There were all barracks here. As a matter of fact, I met with Zippi in one of these barracks.
AVI WISNIA: Here?
DAVID WISNIA: Right over here. Sure.
AVI WISNIA: You met with her in a barrack? In the clothing barracks?
DAVID WISNIA: Yup.
AVI WISNIA: Years and years ago, he wanted to find Zippi. He had reached out to her and found out that she was living in New York.
DAVID WISNIA: I made a plan to meet her. I sat there and waited for three hours. She never showed up.
AVI WISNIA: She didnโt want to see him. And he never knew what happened to her. Iโm hoping that my grandfather gets some closure, if thatโs even possible.
[Piano playing]
AVI WISNIA: A few years ago, he would start bringing her up. Through the Holocaust Museum in Washington D.C., we found out that she was alive.
[Piano playing]
DAVID WISNIA: [Singing]
AVI WISNIA: I guess enough time had passed and he wanted to reach back out to her.
[Phone ringing]
โZIPPIโ HELEN SPITZER (ANSWERING THE PHONE): Hello?
AVI WISNIA: He spoke with her nursing aide and asked if he could visit her and she said, โYeah, come by.โ
AVI WISNIA: I tried to ask him if there was something specific that he wanted to ask Zippi. There was, like, silence. I was very curious at, like, what he was hoping to find. Here was something that was very much in the present that we were going to experience together. Like, a part of his story that was still alive.
I got to his house. My grandmother was in the kitchen. She seemed very surprised to see me. So, we were chatting a bit. And, and she goes, โSo, what are you doing over here?โ And I was like, โWeโre, weโre going into New York. Iโm taking, taking Saba into New York.โ She goes, โOh, whatโs in New York?โ Then I yelled to my grandfather. I was, like, โYour wife is asking me what weโre doing today and I think you should tell her!โ [Laughs]
Once I said that, she knew. Then, then she knew. She was like, โOh, youโre, youโre going to see Daveโs friend.โ And she said, โI have a message for her.โ
HOPE WISNIA (SPEAKING ON THE PHONE TO DAVID AND AVI): Hello. If you are with Daveโs old girlfriend, give her my regards. Tell her we have something in common. We were both attracted to the same young man. And he certainly was attractive. Okay.
AVI WISNIA: When we got into the apartment, we found Zippi in a hospital bed there. She couldnโt get up and she couldnโt move her body.
DAVID WISNIA: She was bedridden. But she knew me alright, quickly.
AVI WISNA: Her eyes opened wide like she knew, she knew who it was.
DAVID WISNIA: And as I walked in, it was so funny. She says, โYou married. You had children, grandchildren.โ She says, โDid you tell your wife what we did?โ [Laughs] I, I says, โNot really.โ [Laughs]
โZIPPIโ HELEN SPITZER: I didnโt even know if, if you were alive. [Laughter] Are you thirsty?
DAVID WISNIA: No, no.
โZIPPIโ HELEN SPITZER: I have. Look.
DAVID WISNIA: No, honey, thank you.
โZIPPIโ HELEN SPITZER: I am not able to walk, but my brainโฆ
DAVID WISNIA: Your brain functions. Good.
โZIPPIโ HELEN SPITZER: My sechel is still working. Why are you laughing?
AVI WISNIA: We say that about him also. His brain still works.
DAVID WISNIA: I am going to be 90. 90.
โZIPPIโ HELEN SPITZER: You are a young rock star.
DAVID WISNIA: Of course. You were eight years older. But who cared?
DAVID WISNIA: She wanted me to sing something to her.
DAVID WISNIA: [Singing and humming]
DAVID WISNIA: I sang it for her, and you should have watched her face.
โZIPPIโ HELEN SPITZER: I was married to a husband who respected me.
DAVID WISNIA: Thatโs wonderful.
โZIPPIโ HELEN SPITZER: Who was good.
DAVID WISNIA: Thatโs great. I came to the States in 1946. You see, because I had family here.
โZIPPIโ HELEN SPITZER: I see.
DAVID WISNIA: My motherโs two sisters lived here. We said that you were going to go to the community center in Warsaw. And there you were going to wait for me. But, I was with the Army, with the 101st Airborne.
โZIPPIโ HELEN SPITZERI: I was working in Feldafing.
DAVID WISNIA: In Feldafing?
โZIPPIโ HELEN SPITZER: Correct.
AUDIO ANNOUNCEMENT: Germany, September the 23rd, 1946 at Camp Feldafing.
โZIPPIโ HELEN SPITZER: I am Helen Spitzer, S-P-I-T-Z-E-R. My number, 2286.
DAVID WISNIA: I used to drive in.
โZIPPIโ HELEN SPITZERI: When?
DAVID WISNIA: In a truck to Feldafing, but I didnโt know you were there.
โZIPPIโ HELEN SPITZER: Itโs a funny, strange life. When I was a young girl, I liked you.
DAVID WISNIA: [Laughs] Yeah, l liked you, too.
โZIPPIโ HELEN SPITZER: We were in love.
DAVID WISNIA: [Laughs]
โZIPPIโ HELEN SPITZER: How did I look in Birkenau?
DAVID WISNIA: You looked like a good-looking girl.
โZIPPIโ HELEN SPITZER: Oh?
DAVID WISNIA: Remember, youโre my girlfriend.
โZIPPIโ HELEN SPITZER: Do you remember that I played in the orchestra?
DAVID WISNIA: Of course. I remember we used to meet. Donโt you remember?
โZIPPIโ HELEN SPITZER: Of course.
DAVID WISNIA: Subtitle: Of course she does. [Laughs]
โZIPPIโ HELEN SPITZER: I had a ladder, up through the window, and there we were kissing each other. [Laughter] Do you remember that? [Laughter]
DAVID WISNIA: I remember many, many things.
โZIPPIโ HELEN SPITZER: Yeah?
DAVID WISNIA: Sure.
โZIPPIโ HELEN SPITZER: And you never heard that I am alive? When we left we said to each other, โPlease look for me.โ
DAVID WISNIA: Yes, yes.
โZIPPIโ HELEN SPITZER: I was waiting and waiting and waiting.
DAVID WISNIA: I never went back to Warsaw. I threw away my whole past.
โZIPPIโ HELEN SPITZER: I was waiting for you.
DAVID WISNIA: I never knew you were alive. I only found that out years later. When I found out that you were in New York, I tried to meet you and you didnโt see me.
โZIPPIโ HELEN SPITZER: Look, I am married. That was very courageous of me that I decided not to see you.
DAVID WISNIA: I just have one question you never told me.
โZIPPIโ HELEN SPITZER: What?
DAVID WISNIA: See if you can remember. Not many people stayed in Auschwitz-Birkenau. Did you have something to do with taking my number off from the list of shipment someplace else?
โZIPPIโ HELEN SPITZER: Every time they selected people out forโฆ
DAVID WISNIA: For transport?
โZIPPIโ HELEN SPITZER: Or bad work.
DAVID WISNIA: Yeah?
โZIPPIโ HELEN SPITZER: And you were in, I took you out. I saved you five times from bad shipment.
DAVID WISNIA: I never knew that. Do you hear this? I knew she would have done that.
AVI WISNIA: Itโs amazing.
DAVID WISNIA: Itโs absolutely amazing. Amazing. The majority of the people who were taken from Birkenau, from Auschwitz to the other camps never survived.
AVI WISNIA: At least in, in Auschwitz he was a privileged prisoner. The guards knew him. And he was able to sing. And he was able to entertain them. And she could at least look after him if he was still there.
โZIPPIโ HELEN SPITZER: I never would believe that we are going to see each other again.
DAVID WISNIA: To see each other. [Laughs]
AVI WISNIA: He wouldnโt be alive without her. She had saved our grandfatherโs life and we wanted to thank her because she was responsible for our lives too. We tried again a couple of times to call and see if we could visit. And then we, we found out that she had passed away.
AVI WISNIA (SEATED AT A PIANO, SPEAKING TO AN AUDIENCE) :For me and my grandfather, music sustains us. When I hear my grandfather sing, I hear my history come alive. I honor the past and I sing for the future. Because we know that in the face of being denied the right to exist, the greatest act of defiance is to live.
[Piano playing]
AVI WISNIA: [Singing] I am still alive. This is the song Grandpa sang to Dad. And now it is mine. I am still alive. This is the song Grandpa sang to Dad. And now it is mine. The Jewish people are alive. This is the song Grandpa sang to Dad. And now it is mine. [Singing continues]
DAVID WISNIA: Whereโs my, my, uh, what do you call it? My medicine.
AVI WISNIA: I love how you just put all of your pills in one bottle.
DAVID WISNIA: Well.
AVI WISNIA: Thatโs why we got you a pill sorter. So you could sort the pills.
DAVID WISNIA: Oh, is that what it is? [Laughs] There are not going to be too many left after the 75th anniversary.
AVI WISNIA: Thatโs right. I think everybody is aware. The delegates and the organizers and the survivors, especially, that this, this could be the last one with living witnesses to the Holocaust. Iโm happy I get to help him, uh, what would you call me?
DAVID WISNIA: I havenโt gotten a name for that yet.
AVI WISNIA: [Laughs] Well, letโs come up with one.
DAVID WISNIA: Iโll figure it out.
AVI WISNIA: Iโm like, what am I? Iโm the handler. Iโm the arm candy today.
DAVID WISNIA: You are really the proof that Hitler did not win. Absolutely.
AVI WISNIA: To keep telling the story.
DAVID WISNIA: The very idea that you are alive, spreading life, music, is something to prove Hitler did not win. He didnโt win. He did not win. The very idea that you will be around, really.
AVI WISNIA: Yeah.
DAVID WISNIA: Iโm not going to eat the eggs.
AVI WISNIA: We thought he would live forever. Before he passed, on one of our last visits, I asked him if he was scared when he had to sing for the Nazis. He started to tell a story I had never heard him tell before. When I was in Auschwitz and told to entertain, I constantly thought they were going to get rid of me after each song. So I pictured in front of me, seated, not the Nazis in that room, but my family. I was singing to them.
[Applause] [Piano playing]
TEXT ON SCREEN:
Song lyrics David Wisnia wrote in the camps were smuggled out by a fellow prisoner.
They are now in the permanent collection of the United States Holocaust Memorial Museum in Washington, D.C.
DAVID WISNIA: [Singing] I remember it so clearly, my days in Oลwiฤcim. Got out alive just nearly. And still the name stings.
TEXT ON SCREEN:
The audio now playing is of David Wisnia and Avi Wisnia performing โOลwiฤcimโ, one of the songs David Wisnia wrote and sang in Auschwitz-Birkenau.
DAVID WISNIA: [Singing] Still I see that place, enduring like the scars I canโt erase.
TEXT ON SCREEN:
After being liberated, Zippi never played the mandolin again.
However, she remained a lover of music and enjoyed singing for her husband, Erwin.
DAVID WISNIA: [Singing in German]
DAVID WISNIA: [Singing] Hear sergeantโs call. You wish you were just never born at all.
TEXT ON SCREEN:
Following medical experiments in Auschwitz-Birkenau that affected her fertility, Zippi decided she did not want to have children.
She instead focused on using her design skills to aid a variety of humanitarian causes, including promoting the welfare of pregnant women and new mothers.
DAVID WISNA: [Singing] Oลwiฤcim, through pain and sickness, always working, Oลwiฤcim.
TEXT ON SCREEN:
According to stories Zippi told her nieces and close friends, she used her position of privilege in the camps to save not only David Wisnia, but also many other women and men.
DAVID WISNIA: [Singing] With death behind you always looking, Oลwiฤcim, Oลwiฤcim, evil like some twisted dream. Never mind a hope of fleeing, hunger is the only feeling.
TEXT ON SCREEN:
The world will never hear the full songs of the millions of artists, musicians and other decent souls murdered in the Holocaust.
And no one will ever know exactly how many beautiful songs of life were allowed to continue because of Zippi.
DAVID WISNIA: [Singing] Oลwiฤcim, like numbers on my arm, it lingers. Oลwiฤcim, I curse you with my broken fingers. Oลwiฤcim, Oลwiฤcim, heart be hard as stone. Hatred is the greenest weed youโve grown.
(END)
How Saba Kept Singing
The Emmy-nominated โHow Saba Kept Singingโ traces the journey of Holocaust survivor David Wisnia as he returns to the Nazi concentration and extermination camp Auschwitz-Birkenau to uncover his past.
David had never told his wife, children or grandchildren the whole truth about how he survived nearly three years in the camp. The family knew that he had used his singing voice to entertain the Auschwitz guards, and that his musical gift had changed his fate.
โMusic was my life right from the beginning,โ he recalled decades later. โWhen I got into the camp, thatโs what saved my life.โ
But Davidโs grandson Avi Wisnia suspected that there was more to his Sabaโs story.
โHow Saba Kept Singingโ reveals a touching firsthand account of Davidโs past as he travels with Avi to Poland to commemorate the 75th anniversary of the campโs liberation. The story is also brought to life through dynamic animation and David and Avi Wisniaโs music.
The film had its world premiere at the Hot Docs Canadian International Documentary Festival in April 2022. โHow Saba Kept Singingโ premieres nationwide on Tuesday, April 18 on PBS (check local listings), pbs.org and the PBS app to mark Holocaust Remembrance Day.
โHow Saba Kept Singingโ was produced in collaboration with HiddenLight Productions, Burnt Umber Productions and the WNET Groupโs reporting initiative Exploring Hate.
Educators, check out ourย โHow Saba Kept Singingโ Education Collection.
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Related:
โHow Saba Kept Singingโ is unique Holocaust survival story about love from ABC7NY
Clinton-produced โHow Saba Kept Singingโ tells story of cantorโs Auschwitz survival from The Times of Israel (also picked up by STL Jewish Light, Cleveland Jewish News, Jewish Post and News)
Can a Holocaust documentary have a happy ending? Should it? from Jewish Telegraph Agency
How a gift for music saved one man from the Nazis from Forward Review
Best-Bets For April 18: Emotional Moments, Past and Present from Mike Hughes
- Director, Writer and Producer: Sara Taksler
- Editor: Jackie Soriano
- Contributing Producers: Margaret McCarthy
- Contributing Producers: Michael Potter
